These sculptures consist of a metal skeleton covered with a latex skin. Through a mechanical system, the objects slowly breathe from time to time: they gradually fill with air before gently releasing it again. This subtle movement gives the sculptures a sense of physical presence and vulnerability.

In my work, I explore transience and the visible traces of time. The choice of latex and metal is essential to this investigation. Both materials inevitably change through time and use: the latex discolours, begins to sag, and wrinkles, while the metal gradually develops signs of ageing. As a result, the sculptures are never truly finished, but continue to evolve.

Each breath marks a moment of transformation. What initially appears vital and taut will eventually lose its ability to retain air. The work therefore exists in the space between an inanimate object and something that almost seems to become a living organism. It is precisely through this subtle movement and gradual deterioration that the sculptures invite reflection on vulnerability, time, and impermanence.